EastWest Symphonic Orchestra Gold

Plug-In Bundle (Download)

  • Contains all the instruments and articulations of the Quantum Leap Symphonic Orchestra library
  • A microphone position with 16 bit samples
  • Flexible preset and instrument browser

Specifications:

  • Supported formats: Standalone / VST2 / AU / AAXnative / RTAS
  • System requirements: Minimum Win7 (32/64-bit) or Mac OSX 10.7, 2.7GHz Dual Core i5 CPU, 8GB RAM, 33GB HD, Internet Connection, iLok License Manager

Further Information

Single/Bundle article Los artikel
Akustik Keys/Pianos No
Beat production / Drum machines No
Wind Instruments No
Cinematic / Effects No
Chorus / Vocals No
Drums / Percussion No
E-Pianos No
Ethno / Folk No
Guitars/plucked instruments No
Loops/Construction-Kits No
Orchestra Instruments Yes
Organs No
String Bass No
Sampler No
String Instruments No
Synthesizer No
Vintage Instrument No
Hardware Controller No

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EastWest Symphonic Orchestra Gold
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25 Customer Ratings
  • 5
  • 4
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  • 1
4.3 /5
  • handling
  • features
  • sound/quality
  • computer utilisation
Total
handling
features
sound/quality
computer utilisation
Woodwinds
EastDale, 07.01.2018
Sorry for the bad english!

My first Ochestral liberie for composing and producing.
I Wished I would have spend my money on a more modern liberie that had more of an "out of the box playability".

If you like to tweak things for hours, than this libarie is for you!
There are better libraries for similar price.

Pros: It's an all in one liberie with all orchestral instruments in one VST.

Cons: The Woodwinds dosen't sound very good at all.

I wished I would have bought Project Sam Orchestral Essentials instead, it would have given me more inspiration on the fly so i can create music faster!
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Total
handling
features
sound/quality
computer utilisation
EastWest...what else?
Guch, 28.08.2019
A symphonic library to have if you are dedicated to classical writing, soundtracks or a style that requires the use of orchestral musical instruments through sequencers or notation software.
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de Original review (Show translation)
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East West Symphonic Orchestra
Fl@Ron, 10.12.2009
Ich bin mit der EAST WEST SYMPHONIC ORCHESTRA GOLD COMPLETE Edition sehr zufrieden. Die Hauseigene Play Engine, welche den zuvor verwendeten NI Kompakt Player bzw. Kontakt ablöst, läuft in der aktuellen Version sehr stabil unter Mac OS X. Im Gegensatz zu den vielen Postings in diversen Onlineforen bezüglich der stabilität der Play Engine, hatte ich bis jetzt noch keinen einzigen Absturz.

Die Registrierung (iLok) war jedoch ein Abenteuer, auf welches ich gerne verzichtet hätte. Eine etwas ausführlichere Beschreibung des ganzen Registrierungsvorganges hätte ich mir schon gewünscht.
Die Installation selbst dauert wirklich sehr lange (5 DVD`s = ca. 34 GB) und zunächst war ich auch etwas verwirrt, da der Fortschrittbalken des Installers bei der ersten DVD schon fast am Rechtsanschlag angelangt war. Den kleinen Rest der Anzeige teilen sich dann jedoch die restlichen 4 DVD`s.

Zu den Sounds selbst ist ja schon einiges geschrieben worden, es klingt schon sehr eindeutig nach Hollywood. Für intimere Sounds sollte man sich also besser an anderer Stelle umsehen. Der mitgesamplete Hallanteil ist bei weitem nicht so ausgeprägt, wie ich mir das anhand der Informationen im Internet vorgestellt hatte. Letztendlich komme ich persönlich mit diesem Hallanteil recht gut klar. Sollte man damit jedoch Probleme haben, so gibt es nun auch dafür eine Lösung.Ein Vorteil, welcher bis vor kurzem nur den größeren Diamond Versionen vorbehalten war, ist nun nachträglich auch für die Gold Edition erhältlich. So kann man nun auch die 2 (in der Gold Version fehlenden) Mikrofonpositionen (Close + Surround) separat erwerben (derzeit aber wohl nur bei East West selbst). Natürlich sind diese dann, genau so wie die Goldedition selbst , "nur" in 16 Bit Ausführung. Sollte man sich beide Erweiterungen kaufen, darf man sich dann auf die Installation weiterer 51 GB freuen ;-)

Alles in allem ist sowohl die EWQLSO-Gold Edition, wie auch die Play Engine wesentlich besser als ihr Ruf. Gerade letztere läuft nun, nach einigen Updates, sehr stabil (auf dem Mac bisher allerdings noch nicht als 64 Bit Anwendung). Die Einstellungsmöglichkeiten auf der Play Oberfläche halten sich in Grenzen, evtl. ändert sich das ja mit der angekündigten Play Pro Version?
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Une bonne banque de son orchestraux, mais un moteur un peu capricieux
Vincent LF, 18.05.2011
Je possède plusieurs banques de sons orchestraux (je suis orchestrateur). L'East & West Gold présente beaucoup de qualités, qui font que je m'en sers régulièrement.

Faisons le point, en commençant par la qualité des sons... et c'est le point fort de la collection. Les échantillons sont vraiment excellents, avec une prise de son d'ambiance qui permet d'avoir un rendu très réaliste, très facilement, contrairement à d'autres collections basées sur des échantillons pris avec des micros de proximité. Les échantillons de "release" sont superbes et rendent l'utilisation de la réberbération quasiment inutiles.

Attention tout de même, c'est plutôt axé "gros son Hollywood" que "nuances légères et subtiles". Attendez vous à des cuivres qui explosent et des cordes bien rêches, avec la possibilité de faire des sons très agressifs (Bartok Pizz, staccatissimo, etc...)... mais pas de "vrai" legato (où la transition entre chaque note serait elle même un échantillon, comme dans d'autres collections concurrentes).

Du point de vue du moteur de la banque, le "Play Engine", je ne suis pas très convaincu. Je vis avec, mais il y a des lourdeurs, Cubase qui se rebiffe contre l'utilisation de trop nombreux samples (serait-ce mon disque dur ? ou un CPU trop mou - je suis sur mac i7, tout de même) - problèmes que je ne rencontre pas avec d'autres collections.

Par ailleurs, le mode "crossfade", c'est -à-dire la possibilité de faire un crossfade d'un échantillon à un autre pendant une longue note tenue, en utilisant comme contrôleur la molette de modulation, n'est pas standard - il faut à chaque fois charger un autre son supplémentaire. Ce qui fait que pour faire une piste de violon, par exemple, on est parfois obligé de créer plusieurs pistes : 1 violon staccato, 1 violon tenu, 1 violon crossfade. Bon, ce n'est pas rédhibitoire, mais ça pourrait être mieux.

Dernière remarque : c'est une des rares collections à avoir une banque "violons 1" ET une banque "violons 2"... souvent on n'a droit qu'à une banque "violons" et on utilise deux fois le programme et le panoramique pour simuler violons 1 et 2. C'est quand même mieux d'avoir vraiment les deux sections.
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