Stairville Mini Stage Par 7x3W TRI Black

Mini Stage Par

Powerful and compact, these are the main features of the Mini Stage Par TRI

The robust diecast aluminum housing has been made for professional road use, and also takes into account hard daily touring routines

The TRI Colour RGB LEDs provide very good color mixing directly under the lens, resulting in no more unintentional RGB shadows

Can be controlled in a number of different ways: DMX-512 (5 DMX channels), sound-to-light, internal programs, or color mixing by means of dip switches on the back

Technical data:

Light source: 7-Piece 3 W LEDs Tri Color

Coverage pattern 45°

Power supply: AC 95V, 240V 50/60 Hz

Control: DMX-512 (5 channels), sound-to-light, auto fade, auto switch, fixed colours, DMX

In- and output: 3-Pin XLR

Max. power consumption: 28 W

Dimensions (L x W x H): 230 x 195 x 145 mm

Weight: 1.7 kg

Incl. Adjustable mounting bracket

Construction Type	Studio PAR
Number of LEDs	7
power of the single LED	3 W
Color mixing	RGB
LED Type	x-in-1
Floor housing	No
Fanless	Yes
remote control	not supported
wireless DMX	No
Housing Color	Black

Construction Type

Studio PAR

Number of LEDs

power of the single LED

3 W

Color mixing

RGB

LED Type

x-in-1

Floor housing

Fanless

Yes

remote control

not supported

wireless DMX

Housing Color

Black

good for starters, not exactly for professionals

Andrea (Sona service from Italy), 17.04.2018

Bought 8 of these a couple of years ago, I've used them extensively as front wash or back lights for concerts and theater. Light output is obviously low since it's a 7x3w unit, and they get lost at distances higher than 3/4 meters from the enlighted object/person. They work good in indoor places with low ceilings. I like the effect they make as black backdrop lighting from the ground. Full Red, Green, Blue and Cyan and Magenta are OK, Yellow/Amber (at different gradients of Red and Green) is less than OK (red and green leds don't mix perfectly) and full White is way less than OK, too greeny and shady. Warm White tones are impossible to get, which is a big issue when working with theater or dance/musical companies.
Reliability became an issue recently: one broke after a year (didn't accept dmx signal and had to be sent back for repair), broke again after a while and two others have broken more recently (red channel stopped working in both cases, always right after soundcheck and minutes before the show!). They were good for the kind of jobs I did two years ago (mainly rock bands and dj's in small clubs and venues), now I need more powerful units with better color mixing for outdoor shows and thater (at least RGBW or RGB WW). I'll probably replace them with better products as soon as budget allows.

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WOW!

Keith L., 15.05.2013

This is a terrific value light, I brought two to try and am so pleased that I intend to get another four. I use mine for general disco and small stage work, they are much brighter than I expected. A friend who has a band was so impressed, he is also going to buy some. Once you make out the instructions, which are a little confusing, then they're a doddle. Great for using in small venues as low power consumption and heat. These will be replacing my tungsten PAR's. Only improvement I would make is to be able to Daisy Chain the power leads as well as the DMX.

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