Dunlop Crybaby GCB95

This pedal is very basic, which is not an issue, I knew what I was getting, I got what I paid for.

My first wah ever was the dimebag model which is twice as expensive, it had tons of features, most of them I did not use at all. I sold that one a long time ago cause I wanted to get a normal and more classic wah. So now I got this, I'm still getting used to it. But it sounds good overall.

Nothing to say about the quality, it's built like a tank.

Only comment I would like to add as feedback would be that I think the rubber raisers the pedal has at the bottom should have an easier way to remove them. It has been a struggle to attach this to my new pedalboard, basically the rubber feet are too tall and the Velcro doesn't stick properly to the pedalboard because of those rubber things. I was able to unscrew the screws, take off the rubber things and then upon trying to put the screws back in, basically it did not work without the rubbers, so in the end I just put the rubbers back and accepted my defeat.

Interesting note: when I took the 4 screws off, I took a sneak peek at the insides of the pedal. I would say more than half of the pedal is empty air, I guess it's a fairly simple effect, it's just big enough for our big feet.

Overall, creamy pedal.

The Dunlop Cry Baby GCB95 is one of those pedals that instantly changes the way you play guitar. The moment I plugged it in, I finally started getting closer to the expressive tones and feel of some of my biggest idols — Stevie Ray Vaughan, Jimi Hendrix, Eric Clapton, and Tom Morello.

Whether it’s blues, funk, classic rock, psychedelic solos, or aggressive modern effects, this pedal just delivers that iconic vocal-like sweep everyone recognizes instantly.

The build quality is absolutely tank-like. It feels extremely sturdy and professional under your foot, like something that could survive years of gigs, rehearsals, and studio sessions without a problem. The treadle movement feels smooth and responsive, making it very expressive and natural to use.

Another thing I love is the simplicity. No complicated menus or settings -just plug in and play. It also works with a battery, which is super convenient if you don’t always want to carry a power supply or pedalboard setup.

Tone-wise, it has that classic Cry Baby character that cuts through the mix beautifully without sounding harsh. Clean tones become more expressive, and distorted solos suddenly come alive.

This pedal genuinely inspired me to play more guitar. Highly recommended for anyone wanting that legendary WAH sound !

I’ve been using the Dunlop Cry Baby GCB95 for a while now, and I can honestly say that it has lived up to its legendary reputation. This is one of those pedals that immediately feels familiar, even if you’ve never owned one before, because its sound can be heard on countless classic rock, blues, hard rock, and metal recordings.

The build quality is excellent. The pedal feels extremely solid and durable, with a sturdy metal enclosure that gives confidence it will withstand years of regular use. The treadle movement feels smooth and controlled, making it easy to find the sweet spot whether you’re playing subtle expressive passages or aggressive lead lines.

Tonally, the GCB95 delivers the classic Cry Baby wah sound that guitar players have relied on for decades. It has a vocal-like character that helps solos cut through the mix without sounding harsh. The sweep range feels natural and musical, making it suitable for a wide variety of styles. I mainly use it for classic rock and hard rock, but it also works very well for blues, funk, and heavier genres.

Another thing I appreciate is how easy it is to integrate into a pedalboard. There are no complicated controls or settings to worry about—just plug it in and play. Sometimes simplicity is exactly what you need, and the Cry Baby proves why it has remained a standard choice for so many years.

Overall, I am very satisfied with this pedal. It offers the iconic wah sound, excellent reliability, and a robust construction at a reasonable price. If you’re looking for a classic wah pedal with a proven track record, the Dunlop Cry Baby GCB95 is an easy recommendation. It may not have all the modern features found on some boutique alternatives, but it delivers exactly what it promises: a great-sounding, dependable wah pedal that inspires you to play.

All the wahs in the Thomann range were listened to in order to conclude this one has the best tone, and all kinds of resources allow the comparisons so no need to talk at length about the tone. The thing is built tough, the hinge was silent at first then suddenly became squeaky but a few drops of oil obviously solved this.

Both inputs are tight and lock well, the hinge's range of motion is natural, not too long, not too short. Only the battery holder is plastic, not as tough-looking as the rest but it's underneath where nothing will touch it unless the wah is dropped, so it should be as durable as the rest with some care.

Only thing was, the switch barely registered and the pedal had to be pushed hard to the very max, so I removed the bottom cover to access the adjustment nut on the switch. I raised it a half-millimeter and now it engages easily with an audible click whereas it could barely be heard before.

By the way, opening it showed the circuit layout is clean, and all the soldering is done neatly. So five stars overall.

GCB95 is exactly what you would expect. Very good tone in a small and durable box. After 4 years of almost everyday use it does not show any signs of wear.

I mostly played it using Stratocaster, Telecaster and Les Paul Guitars through a 74' Fender Twin Reverb and a Ibanez Tube Screamer TS9. It has shown a nice frequency spectre and the right amount of aggresiveness for rock music as well as gentleness for softer songs.

It had only one downside: it came with a non-working power socket, which had to be replaced.

All in all: good buy, if you like a classic wah sound, but would not suffice if you want versatility, since it does not provide any EQ or other controls.