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USB 2.0 Audio Interface

  • 24-Bit / 192 kHz
  • 18 inputs and 20 outputs
  • 4 mic / line inputs: XLR / TRS combo socket
  • 4 line inputs: 6.3 mm TRS
  • Phono input: Cinch
  • Inputs: 1 - 4 switchable for instruments
  • Inserts for inputs: 1 - 4: 6.3 mm TRS
  • 4 line outputs: 6.3 mm TRS
  • 2 AUX outputs: 6.3 mm TRS for line signals and reamping
  • S/PDIF coaxial input and output: Cinch
  • Switchable to word clock
  • 2 headphone outputs: 6.3 mm TRS and 3.5 mm TRS
  • 2 ADAT In / Out for max. 8 channels @ 96 kHz Sampling Rate
  • Integrated Bluetooth audio receiver
  • Compatible with AAC and aptX
  • Integrated monitor controller with dim / mute / mono function
  • Monitor and source selection
  • Integrated 3-way USB hub for external devices
  • USB-C socket
  • Supports USB 2.0
  • Compatible with Windows and Mac OS X
  • Solid metal housing
  • Dimensions: 265 x 160 x 72 mm
  • Weight: 1.92 kg
  • Includes AudioFuse Creative Suite
  • Available since March 2020
  • Item number 457990
  • Sales Unit 1 piece(s)
  • Recording / Playback Channels 18x20
  • Number of Mic Inputs 4
  • Number of Line Inputs 8
  • Instrument Inputs 4
  • Number of Line Outs 6
  • Headphone Outs 2
  • Phantom power Yes
  • Number of S/PDIF Connectors 2
  • Number of ADAT Connectors 4
  • Numer of AES/EBU Connectors 0
  • Number of MADI Connectors 0
  • Ethernet 0
  • Other Connectors 3x USB HUB
  • MIDI interface Yes
  • Word Clock 1xIn, 1xOut
  • Max. sample rate (kHz) 192 kHz
  • Max. resolution in bit 24 bit
  • USB Bus-Powered No
  • Incl. power supply Yes
  • USB Version 2.0
  • Width in mm 265 mm
  • Depth in mm 160 mm
  • Height in mm 72 mm
  • Connection Format USB port Type B, 3x Type A
  • Included in delivery Power Supply, AudioFuse Creative Suite
  • Zero latency monitoring Yes
B-Stock available from 2.499 AED
2.899 AED 671,43 €
The price in AED is a guideline price only
Since we ship from Germany, additional costs through taxes and customs may be incurred
In stock
1

Versatile interface and control centre

The Arturia AudioFuse Studio is a premium USB-C desktop interface and controller designed for hands-on tracking, mixing, and monitoring at the heart of DAW-based studio workflows. It features four channels of studio-grade DiscretePRO microphone preamps – known for their transparent response, low self-noise, and wide dynamic range – with inserts on each channel, alongside four additional rear-panel line inputs, including a shared phono input. Up to ten additional digital ADAT and S/PDIF channels are available via dual optical I/O and RCA connectors, alongside word clock synchronisation. Dedicated reamp outputs, high-precision 24-bit AD/DA conversion, and advanced routing capabilities position AudioFuse Studio as a central studio hub, while wireless Bluetooth audio can also be routed in. Its robust housing and clearly structured control surface reinforce immediate, tactile operation and long-term reliability.

Arturia AudioFuse Studio, LED display

High-grade recordings

The AudioFuse Studio optimises every element of the system signal chain, supported by a control surface that places essential recording and monitoring functions within easy reach. Each mic channel features dedicated buttons for phantom power, pad, and polarity, alongside clear VU meters for precise gain staging and a Listen button for single-channel monitoring. The four DiscretePRO preamps form a flexible front end capable of handling sensitive microphones, high-impedance instruments, and line sources, offering up to 72dB of gain before feeding high-resolution converters at up to 24-bit/192kHz resolutions. Levels are adjusted via reassuringly large rotary encoders, a hardware-first approach where essential tracking and monitoring adjustments remain immediate, while deeper routing and system configurations are accessed via the AudioFuse Control Center software when needed.

Arturia AudioFuse Studio audio interface, dials

So many sockets

There is more to the AudioFuse than its pristine front end and conversion. Dual speaker outputs with A/B switching, independent headphone outputs with separate cue mixes, and dedicated controls for dim, mono, mute, and talkback support precise monitoring and session management. MIDI In/Out synchronises external synths, drum machines, and controllers, while dual optical ports support up to eight channels of ADAT alongside two S/PDIF channels via the phono connectors, significantly expanding available I/O for evolving studios. Word clock connectivity ensures accurate sample-rate synchronisation across both hardware and software systems. One rear-panel phono input is equipped with an RIAA preamp for direct vinyl sampling, while Bluetooth audio operates on its own dedicated stereo channel for reference playback or live capture, bridging analogue and digital hardware with DAW-based workflows.

Arturia AudioFuse Studio audio interface, sockets

About Arturia

Arturia's success story began with software emulations of well-known analogue synthesizers such as the Moog Minimoog, Sequential Prophet-5, and Oberheim SEM. The popular software instruments included in the V Collection are still flagship products of the French developer today. Over time, Arturia has gradually expanded its range and now also offers a host of hardware devices, ranging from synthesizers and keyboard controllers to sequencers. Since then, the former software developer has thus also become a household name in the world of analogue synthesizers and other equipment.

Production software ecosystem

AudioFuse Studio is bundled with an extensive software package that transports its studio-grade recording capabilities into the digital domain. The AudioFuse Creative Suite includes a curated collection of Arturia effects inspired by classic studio hardware (such as Pre 1973, Pre V76, Pre TridA, Comp FET-76, Rev PLATE-140, Delay TAPE-201, Chorus JUN-6, Filter MINI, and Phaser BI-TRON), placing high-quality effects and tone-shaping tools directly within DAW environments. Analog Lab Intro provides a broad palette of synthesizer and keyboard sounds drawn from Arturia's V Collection. Alongside the AudioFuse Control Center, this ecosystem elevates the AudioFuse Studio's hybrid studio concept beyond immaculate audio capture, allowing projects to move seamlessly from tracking through mixing to sound design. As bundled software may evolve, the manufacturer's website should be consulted for current details.

In the spotlight

48 Customer ratings

4.8 / 5

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features

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quality

37 Reviews

AL
Top quality and best I/O package
A. Lee 14.04.2020
PROs
-Preamps are really good, quiet and have lots of gain, more than enough headroom, for reference 60% gain can drive a Beta58 loud enough.
-There's no other option on the market that have so many I/O and in a desktop interface size
-there are a lot of buttons and some of them are configurable, convenient for working quickly
-2 pair of Speaker out and 2 headphone out is great to have, though there is only 3 monitor mixes (good enough to me)
-Headphone out is powerful enough to drive K702 and HD650 at 50-70% volume
-Bluetooth is handy, very happy to have, but do not expect the quality anywhere close to the wired inputs
-USB cables that comes with it feels sturdy and looks cool.
-work smoothly on both my mac and PC without any issues at all
-Love the USB hub function, especially if you are a macbook user like me
CONS
-It can get a bit warm when in use but acceptable.
-Latency is not as good as the thunderbolt interfaces, it's USB 2.0 afterall

If you want an interface with 4 quality pres, 8 analog input, expandable, portable and do not need DSP, this is a very good option
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JH
Great interface!
Johannes H. 765 18.02.2021
I sold my Apollo Twin mkII for this and it’s definitely worth it!
Great monitoring capabilities with three presets available directly from the interface. (You have to set them up in a computer but after that they’re standalone)

I have two gripes with this interface.
One is that there are no mute switches, a thing I’ve grown accustomed to with my gear hooked up to a mixer in to the apollo interface. This way i could mute noisy stuff but still have it set up for quick recording.
This can be worked around by having cues set for muting but then you’ll lose cues for live recording with other musicians.
The second gripe is that you have to use the software for setting up the interface and make changes to it, for example, setting it up for re-amping. This is normal interface stuff which I had with my Apollo and my old Liquid Saffire but for me, about to make the change from mac to ipad recording, it’s annoying that i cant use an app for it. But for normal pc/mac users it’s no issue.

I love all the connections and they help a lot in building a hardware based, as little daw as possible, studio.

Great sturdy construction.
Great sound!
Nice preamps!
Two headphone amps!
Re-amping and two monitor sets!
Phono.
Midi!
Blue-tooth was a surprisingly nice feature.

I won’t miss my old UA interface!
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D
Great piece of equipment
DJCherntables 04.06.2020
This has really given me an all in one option to handle any possible scenario in a home studio. Want to use a guitar with an amp sim, sure. Have a friend with you and want to jam out with some midi instruments... two headphone outs. Have an old turntable and some vinyl to sample... phono in (also doubles as a rca line in). Want to quickly switch from speaker A to B to hear how your mix sounds on other speakers... press a button. Have a singer and a couple instruments to plug in... up to four. Basically, I can't imagine a scenario it cannot handle for a home studio and it has more features than I'll ever need. I've done all these things and it was wonderfully easy to work with. The only thing that ever tripped me up was learning that to use loopback, you must be using a sample rate of 44100 or 48000. Thank you, Arturia for making such a wonderful piece of equipment.
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"
If you're on the fence And wondering about the price...
"Homesick Mac" 23.09.2020
It took a while to do the research and convince myself that this is worth so much money. Well, this show only that I never invested in a real-real interface. My most expensive was the Presonus AudioBox 1818VSL...
Thank you all other reviewers at Thomann's for the last ”nail in the coffin” of my decision. No, seriously, I was sure that this is going to be good when I ordered, but it's more than that. It's just great for my needs, and the sheer knowledge that I'll also be able to expand it through ADAT sends from my old interface if ever needed, awesome.
The preamps are really great, I could even run some truly lazy mics like the Shure SM7 that I borrowed for a test, as wll as my own large diafragm mics, one of which is another lazy one - Aston Origin, don't trust nobody who says it doesn't need extra gain...
Then my matched pair of Oktava MK-012 (which I also bought through Thomann) that also sounded great sith the pots at around 11:00 close miked and at 16:00 some 50cm away. Didn't get any significant extra noise there.
Just look at all the functions, Bluetooth included, I play my gramophone through it, reamping is a new field but worked great as soon as I understood what I needed to do.
It's small on my table and fits great just underneath the monitor, I drag it out closer when recording, I'm in heaven.
A friend who I recorded with noticed that the main volume knob was ”lazy”, meaning that he needed to make it several turns to incresse the volume significantly and yeah, it's true, but I call it precision...
Great buy, go for it!
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