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Guitar Power Amp

  • Suitable for amplifying effect pedals
  • Small enough for pedalboards
  • Power: 170 W at 4 Ohms
  • 3-Band EQ
  • 13 dB boost/cut in each frequency band
  • Controls for volume, bass, mid and treble
  • Power switch on the back
  • 1/4" mono-jack input/output on the back
  • IEC socket for built-in PSU
  • Power status LED
  • Temperature status LED
  • O.C. status LED
  • Output impedance: 4-16 Ohms
  • Input voltage: 220-240V AC
  • Dimensions (L x W x H): 127 x 133 x 72 mm
  • Weight: 910 g
  • Made in USA
Note Register your purchase at shop.warwick.de/en/warranty-registration for an extended warranty of 4 years.
  • Available since August 2017
  • Item number 412969
  • Sales Unit 1 piece(s)
1.649 AED 385,71 €
The price in AED is a guideline price only
Since we ship from Germany, additional costs through taxes and customs may be incurred
In stock
1

Phenomenal power, pocket-sized format

The Seymour Duncan PowerStage 170 is quite simply one of the most compact guitar power amps on the market – it's been expressly designed for players who build their sound with pedalboards, multi-effects, or modelling systems yet still want to drive a real cabinet on stage. It delivers 170W at 4 ohms while remaining small enough to fit easily on or under a pedalboard. The rugged metal housing and status LEDs for power, temperature, and over-current protection are evidence that this compact device has been created with everyday use in mind – otherwise, the controls couldn't be simpler. Thanks to the integrated mains connection, there's no need to carry a bulky external power supply. This saves space and simplifies setup: Literally plug and play.

Seymour Duncan PowerStage 170, compact power amp for guitarists

Easy operation, effortless integration

The PowerStage 170's control panel is deliberately minimalistic: Dials for volume, bass, mid, and treble – what else does a busy guitarist really need in practice? Certainly, the three-band EQ allows musicians to make frequency adjustments of up to ±13dB per band, so the sound can be nice and neutral or shaped with precision. On the rear, input and output are provided as 6.3mm jack sockets, along with the power switch and an IEC socket for the internal power supply. Status LEDs for power, temperature, and over-current protection give reliable feedback on operating conditions. This makes the Seymour Duncan PowerStage 170 easy to integrate into any setup, whether it's placed in front of, behind, or underneath the pedalboard – as long as it's at the end of the signal chain.

Seymour Duncan PowerStage 170, compact power amp for guitarists

Power to the pedalboards

The Seymour Duncan PowerStage 170 is the perfect solution for guitarists who have already shaped their sound pre-cab with pedalboards, multi-effects, or modelling systems – so they just need a neutral, powerful power amp. Of course, with its combination of a tiny footprint and comparatively high output, it'll be especially appealing to players who want to keep things light for touring or rehearsals, while still enjoying the punch and physical feel of a real cabinet. It also works well as a backup for far more complex rigs, since it can easily stand in for a full amplifier if needed. The effortlessly simple operation makes it accessible to both practised professionals and aspiring amateurs, while the rugged construction ensures reliability wherever it's put to use.

Manufacturer's logo on the Seymour Duncan PowerStage 170, compact power amp for guitarists

About Seymour Duncan

The Californian manufacturer Seymour Duncan is one of the largest suppliers of pickup systems for electric and acoustic guitars, as well as basses. The company founded by its namesake also develops pedals and other accessories for guitarists. The current product range is comprehensive and covers a wide variety of construction types. Pickups are available as after-market products, but are also often integrated by many guitar manufacturers, whether in the USA or the Far East (under the name Duncan Designed). In addition to the well-known models, such as JB, Duncan Distortion and Pearly Gates, many signature models have been created for and named after well-known guitarists of all genres, from Mark Knopfler and Joe Bonamassa to Yngwie Malmsteen and Dave Mustaine.

Smaller stages and rehearsal spaces

The Seymour Duncan PowerStage 170 can be placed directly after a pedalboard to drive a guitar cabinet without the need for an additional amp. With 170W at 4 ohms, it delivers enough power for small to mid-sized stages and rehearsal spaces, although it can drive cabinets with impedances of up to 16 ohms. In the studio, it's ideal as a neutral amplifier for re-amping or pre-production, especially where quick changes between different setups are required. As a backup power amp for guitarists who normally use traditional amps or digital rigs, it's also a smart choice – ready to step in when needed and incredibly easy to transport thanks to its compact dimensions.

88 Customer ratings

4.8 / 5

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60 Reviews

S
Great amp, awesome as a spare :)
SachaS 06.07.2018
Well, the sound out of this thing exceeds expectations. It is clean and clear all the way through to being dimed and I mean that, I tested with the volme on full, the wife wasn't too happy :) ! It's a great clean base for a pedal platform.

The only thing I was disappointed with is the output running through an 2x12 (Hareley Benton G212V) set at 8ohm mono. I bought the amp as a spare to keep in my bag when gigging should my Bugera V22 Head fail. First test was the sound and it is very good, not as dynamic as my tube amps but I don't expect it to be. Second test was to check the output at gig volumes and I'll be honest it isn't as loud as my gig volume from my Bugera. BUT we are a VERY loud band with a VERY heavy hitting drummer. It was pushing out about 95% of my Bugera when set at gig levels BUT this is not through 4ohms and likely through a 4ohm cab it would be crazy loud!! As it is I was going to return it in order to buy a DV Mark 250 but I missed the 30 day return period so I'll be keeping it and seeing whether it will be loud enough to gig with using my current setup. If not I may get some vintage 30s rated at 8ohms each for my G212V giving me 4ohms in series which would likely resolve the issue :)

UPDATE 02.08.18
I used it for practice last night and as I thought I was almost full on the volume and we were playing at a lower level than normal BUT I think it will be enough to serve as a backup so I'm well happy.

So, what did it sound like in a band setting? Great!!! It's not a valve amp and doesn't pretend to be but honestly it has a superb sound all of it's own. I'm beginning to really dig the way decent solid state amps respond to picking, they seem to be so much more immediate and I now know why some metal bands use them. The eq on it is exceptional, yes it's dark with the eq all at 12 BUT thats easy to dial out as the impact each knob has on the respective range is exceptional and inline with what I would expect from a valve amp amazingly. I would honestly be happy to travel with it and use it on any gig and be more than happy with my sound :)

Highly recommended ;)
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U
Perfect
Unknownartıst 09.05.2020
My ax8 perfect right now with seymour duncan powerstage 170. You can hear any detail and transparent sound. eq stuff very functional. and just sizes like a stompbox.
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j
Great sounding Poweramp with great build quality
jamiefalck 09.02.2020
Using this to power a cab with my Kemper Profiler stage and it works perfectly! Really happy with how this sounds, and the build quality is impeccable!
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Just Wow
BurdOfDoom 17.09.2022
Finally got my hands on one and was I surprised! The sound out of this is amazing. Have used at rehearsals and at gigs. Don't even need to crank the volume beyond mid-way and it roars like a dream. Using a 1960A 4x12 cabinet with Celestion V30 speakers with a Headrush MX5.

Very light weight but built like a tank. Can easily travel with it and be sure to always have the same sound which is exactly what I wanted and needed. Long gone are the days where I'm at the mercy of whichever amp head is at a venue and adapt sound accordingly when playing abroad.

I may have ended up broke for the month and had to survive on toast, but it was totally worth it!
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