EM
Crunch, space, everything!
I bought this a while back. One of the things that it surprised me with is that if I run it through a mono-channel amp-ing my mouth harp, the mild interference it creates makes sure the mouth harp is a little less dominant. This way it allows for other instruments in the mix to more easily claim their space, while the mouth harp does stay true to its sound.
Recording it in stereo offers an even wider range of options. I now use it in conjunction with the Digitech CabDryVR, which gives me the option of quickly and easily dubbing tracks on two different speaker-cabinets. It won’t be like Guns’n’Roses with two guitars sharing some riffs here and there, but also sticking to their own. It will be just two to four guitars, bass guitars, mouth harps, etc. tru-dubbing, playing the exact same thing with minor variance in terms of attack and pitch.
What I found a bit counter-intuitive is that they labeled the knob that allows you to set the looseness “tightness” instead. As you turn it up, it becomes more loose, but if you read the manual or if you watched the product demo, that won’t catch you off guard.
You do really have to consider how loose or tight you want it to be. With some settings, when it’s extremely loose, I sometimes feel the dubbed track gets sent to the back a bit more. You really have to listen for yourself how you’re going to take it.
The dry track just is as you play it. The one to three dubbed tracks variations to that, in stereo also having their very own spatial distribution, respectively left-right, left-middle-right, and left-left-right-right.
Awesome pedal.
Recording it in stereo offers an even wider range of options. I now use it in conjunction with the Digitech CabDryVR, which gives me the option of quickly and easily dubbing tracks on two different speaker-cabinets. It won’t be like Guns’n’Roses with two guitars sharing some riffs here and there, but also sticking to their own. It will be just two to four guitars, bass guitars, mouth harps, etc. tru-dubbing, playing the exact same thing with minor variance in terms of attack and pitch.
What I found a bit counter-intuitive is that they labeled the knob that allows you to set the looseness “tightness” instead. As you turn it up, it becomes more loose, but if you read the manual or if you watched the product demo, that won’t catch you off guard.
You do really have to consider how loose or tight you want it to be. With some settings, when it’s extremely loose, I sometimes feel the dubbed track gets sent to the back a bit more. You really have to listen for yourself how you’re going to take it.
The dry track just is as you play it. The one to three dubbed tracks variations to that, in stereo also having their very own spatial distribution, respectively left-right, left-middle-right, and left-left-right-right.
Awesome pedal.
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t
VERY good pedal if you are the only guitarist
I use it with my Helix Rack in the FX loop -> mono input, stereo output. I found out this way of usage after couple of hours experimenting, but it was down to my lack of knowledge of my helix back then. After you integrate it to your setup it is worth every cent spent. I would only use this pedal in a stereo setup. In my way of setup the dry signal is panned to the left and the mimiqued signal to the right, just take care to request your dry channel if you have mono monitoring systems.
Build quality is superb, full metal casing, nice footswitch.
Pros:
very good sound if used correctly
excellent build quality
Cons:
do not overuse it.
Build quality is superb, full metal casing, nice footswitch.
Pros:
very good sound if used correctly
excellent build quality
Cons:
do not overuse it.
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R
Mimiq doubbler
It didd nott give ne the feel of dobble the guitar sound that i was locking for...BUT, it did give me a wide sound. More open, and wide sound. Add som chorus, reverb, it sund awesome! I'l keep that pedeal....👌👌👌😊
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FH
Sounds like an album recording
I use this in a stereo guitar rig. It allows mw to utilized different effects through each amp and the difference in attack and timing gives my live playing a huge sound. It has found a permanent place on my pedalboard!
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AC
Massive stereo tones!
I love it! I use it for a stereo pedalboard. It sounds amazing. I also use it when I'm producing anything and I'm in a inspiration rush, or I simply don't have time to double track. This little boy saved me a lot of time!
The only downside is that when you max out the levels of the orinigal and dubed signal, they're not at the same loudness, but it's very easy to adjust that.
The only downside is that when you max out the levels of the orinigal and dubed signal, they're not at the same loudness, but it's very easy to adjust that.
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DG
David G74
very cool pedal i admire it.....the sound coming out of it is cool
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V
only stereo
if U want to have good doubled sound - use it in stereo -
in mono mode only change sound, not pretty
Not working so good with all drive effects, excellent with TC Nova (drive), not so good with Sabbath Bee AND TC Nova. Not tried with full gain - I use drive effects only to modyfy sound Tube AMPs (Grunthell DR and ENGL Thunder) > drive is from AMPs, effects only colorise the sound.
in mono mode only change sound, not pretty
Not working so good with all drive effects, excellent with TC Nova (drive), not so good with Sabbath Bee AND TC Nova. Not tried with full gain - I use drive effects only to modyfy sound Tube AMPs (Grunthell DR and ENGL Thunder) > drive is from AMPs, effects only colorise the sound.
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