J
It depends on cash...
When using a great mouthpiece for jazz purposes, this instrument can sound absolutely great. I primarily use it with a Jet Tone BM and that makes for easy playability and a very good tone, but...
The main question is how much you're willing to pay for not just good, but spectacular tone. I also happen to have Jiggs Whigham's King Legend signature and using the same mouthpiece, you can hardly compare the two instruments. Especially the higher notes are just downright beautiful and gorgeous on the King (it's also much lighter, by the way). The King just blows everything out of the water, but the pricetag is also 10x as much. Considering how this Thomann instrument is rediculously cheap however, it really becomes the question of whether you want to settle for good tone, or that you want legendary tone. That is for you to decide as 'quality' is in the eye of the beholder. Personally, as I thankfully have the financial power, I would absolutely buy the King again, though this relatively impressive Thomann instrument really makes me doubt that decision. Well done on your part, Thomann.
The main question is how much you're willing to pay for not just good, but spectacular tone. I also happen to have Jiggs Whigham's King Legend signature and using the same mouthpiece, you can hardly compare the two instruments. Especially the higher notes are just downright beautiful and gorgeous on the King (it's also much lighter, by the way). The King just blows everything out of the water, but the pricetag is also 10x as much. Considering how this Thomann instrument is rediculously cheap however, it really becomes the question of whether you want to settle for good tone, or that you want legendary tone. That is for you to decide as 'quality' is in the eye of the beholder. Personally, as I thankfully have the financial power, I would absolutely buy the King again, though this relatively impressive Thomann instrument really makes me doubt that decision. Well done on your part, Thomann.
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K
Jazz trombone
First off for the price you really can't fault this black nickel trombone. The slide is excellant and the weight and ergonomic feel is about the same as a student Yamaha trombone. I've gigged with this one and really enjoyed it's playability. It has a really powerful sound. A good buy!
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HL
Good instrument
I bought this instrument for my blues band, trombone isn't my main instrument but I am a brass player. It's sound quality is not bad but I wouldn't recommend for professional use. Colour is nice and it's been a year and varnish is still on and intact. Still a playable instrument you can trust and count on. I was afraid of the "Bb tenor" because i thought i was in the key of b flat like most trumpets but it is a normal non transpositor trombone
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S
An Incredible, Lightweight Gigging Horn for Professionals. LOVE IT!!!!
As a professional trombonist who has been gigging in rock groups since 1992, I recently started facing increased fatigue at 54 years old. After decades on large-bore horns, I knew it was time for a change, but I couldn’t justify spending thousands on a new instrument at this stage in my career. My research repeatedly pointed to the Thomann Jazz Bb- Tenor Trombone. Intrigued by its lightweight design, small 12.7 mm (0.500") bore, and sheer versatility, I bit the bullet and bought it. I absolutely love the way this horn plays!
Here is my breakdown after taking it out on quite a few gigs:
Response & Playability
Open feel: Despite transitioning down from a large bore, this horn feels incredibly open and responsive across all registers.
Upper register: It speaks beautifully in the upper register (F4 and above). The high Ab is a little stuffy, but honestly, I’ve played much more expensive horns that were worse there.
Low register: Notes slot in very true. The low register (Bb2 and below) requires a slight adjustment to fully open up the sound. However, I am pairing the horn with a tight, small commercial setup—swapping between a Bach 12C and a Giardinelli 6D—so that extra effort down low is to be expected.
Mouthpiece Receiver Fit: I was pleased to find that the small-shank receiver is machined beautifully. Both of my mouthpieces fit perfectly, seating securely with zero wobble and a great seal.
Action: The slide arrived very free, smooth, and fast right out of the box.
Features & Aesthetics
Stunning looks: The black nickel finish gives this horn an absolute "badass" look on stage. The embossed serial numbers add a sharp, modern touch.
Customization: The small-bore frame easily accommodates a Neotech Trombone Grip. I also added a yellow paracord wrap to the slide and thumb braces to preserve the finish and enhance my grip.
The Case: It is extremely lightweight and comes with both a shoulder strap and backpack straps. The main drawback is storage—the interior and side zipper pockets are small. You also have to push the tuning slide all the way in to close it, which can be tedious. I always want more room for an iPad or charts, but it gets the job done.
Sound & Tone
Effortless projection: It takes very little air to get an instant reaction out of this 0.500" bore.Rock-ready brightness: It delivers a bright, cutting sound with plenty of edge for solos and effects—perfect for the rock gigs I do. However, it can still pull back and sound quite mellow when needed.
Quality & Verdict
Solid build: The build quality is excellent. The water key is tight, the tuning slide has a great seal, and the finish is flawless.
Unbeatable value: At under $350, the instrument itself is an absolute steal. It completely blows away standard student models. It is an exceptional choice for lead jazz, rock, and solo gigs.
US Buyer Note: Keep in mind that if you are ordering from the United States, you will need to factor in international shipping costs from Europe, alongside potential US customs import taxes/tariffs upon delivery. Even with those added fees, the total out-the-door price is still an incredible value for an instrument of this caliber.
Most importantly, my endurance is back. After a four-hour set playing intense, high-energy charts from Chicago, Earth Wind & Fire, and Tower of Power, I feel significantly less fatigued and way more confident. I would gladly recommend this horn to any large-bore player looking to save their chops with a lightweight, high-performing alternative!
Here is my breakdown after taking it out on quite a few gigs:
Response & Playability
Open feel: Despite transitioning down from a large bore, this horn feels incredibly open and responsive across all registers.
Upper register: It speaks beautifully in the upper register (F4 and above). The high Ab is a little stuffy, but honestly, I’ve played much more expensive horns that were worse there.
Low register: Notes slot in very true. The low register (Bb2 and below) requires a slight adjustment to fully open up the sound. However, I am pairing the horn with a tight, small commercial setup—swapping between a Bach 12C and a Giardinelli 6D—so that extra effort down low is to be expected.
Mouthpiece Receiver Fit: I was pleased to find that the small-shank receiver is machined beautifully. Both of my mouthpieces fit perfectly, seating securely with zero wobble and a great seal.
Action: The slide arrived very free, smooth, and fast right out of the box.
Features & Aesthetics
Stunning looks: The black nickel finish gives this horn an absolute "badass" look on stage. The embossed serial numbers add a sharp, modern touch.
Customization: The small-bore frame easily accommodates a Neotech Trombone Grip. I also added a yellow paracord wrap to the slide and thumb braces to preserve the finish and enhance my grip.
The Case: It is extremely lightweight and comes with both a shoulder strap and backpack straps. The main drawback is storage—the interior and side zipper pockets are small. You also have to push the tuning slide all the way in to close it, which can be tedious. I always want more room for an iPad or charts, but it gets the job done.
Sound & Tone
Effortless projection: It takes very little air to get an instant reaction out of this 0.500" bore.Rock-ready brightness: It delivers a bright, cutting sound with plenty of edge for solos and effects—perfect for the rock gigs I do. However, it can still pull back and sound quite mellow when needed.
Quality & Verdict
Solid build: The build quality is excellent. The water key is tight, the tuning slide has a great seal, and the finish is flawless.
Unbeatable value: At under $350, the instrument itself is an absolute steal. It completely blows away standard student models. It is an exceptional choice for lead jazz, rock, and solo gigs.
US Buyer Note: Keep in mind that if you are ordering from the United States, you will need to factor in international shipping costs from Europe, alongside potential US customs import taxes/tariffs upon delivery. Even with those added fees, the total out-the-door price is still an incredible value for an instrument of this caliber.
Most importantly, my endurance is back. After a four-hour set playing intense, high-energy charts from Chicago, Earth Wind & Fire, and Tower of Power, I feel significantly less fatigued and way more confident. I would gladly recommend this horn to any large-bore player looking to save their chops with a lightweight, high-performing alternative!
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PM
Graduating student
I bought this trombone about 3 years ago as a student for the last 3 years in the academy. It plays easily, glides without hindrance, and is a eye catcher due to its special coloring. The only problem is that the more I go up in scales, the higher tuned it sounds, so it requires constant adjustment. But that's me probably more then the instrument.
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B
Bought for parts, ended up as my main instrument
I originally bought this to strip for parts to repair another of my instruments. However, the looks got me intrigued when it arrived, and once I’d played it, it fast became my go to trombone for 90% of gigs. Cheap enough that the odd ding wasnt too annoying but the sound is extremely impressive! Mostly used for reggae and ska, this trom suited the genre very well! Highly recommend for the gigging musician.
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