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Upgrade version - requires a registered Ableton Live 12 Standard licence
Software for recording and editing audio and MIDI instruments, for intuitive composing and producing, for live performances and much more.
Non-linear session view with clips, scenes, clip automation etc.
Creative musical playground, for jamming and improvising, for flexible stage shows and many other applications
Linear arrangement view enables classic working methods with sequences arranged in a timeline
Numerous innovative tools such as tuning systems, keys and scales for adapting to a given key, searching for similar sounds in the library, assigning your own tags and browser labels, a browser history and much more.
14 Creative MIDI transformation tools such as Arpeggiate, Span, Connect, Recombine, Strum, Rhythm, Time Warp and many more.
Screen reader support for easier control with impaired vision
Extensive individual control options via MIDI and automatic mapping for many common hardware controllers
Comping function for audio and MIDI recordings to create an overall take from several recording sessions
Parallel editing of linked tracks
Dynamic tempo adjustment automatically to incoming audio signal
Adjustable probability for notes and velocity values for random changes
Support for MPE (MIDI Polyphonic Expression)
Contains Max for Live
Pitch shifting and time stretching in real time
Complex-Warp mode
Audio slicing for drum rack or sampler
Audio-to-MIDI function
Capture enables ideas to be subsequently recorded on MIDI tracks
Group tracks with multiple levels
Support for Serato Scratch Live
Browser with pre-listening function at project tempo
Audio resolution up to 32 bit/192 kHz
Unlimited number of audio and MIDI tracks
12 Send and return tracks
Up to 256 audio inputs and outputs
Integration of external instruments
Included instruments: Meld, Granulator III, Wavetable, Operator, Analogue, Sampler, Simpler, Electric, Tension, Collision, Bass, Poli, Drum Rack, Drum Synths, Impulse, CV Instrument and CV Triggers as well as Instrument Racks
58 Audio effects
14 MIDI effects
33 packs with more than 71 GB samples
Supports MP3, FLAC and WAVPACK export
System Requirements
Requirements: registered Ableton Live 12 Standard
Version: 12
Format: E-Mail
License validity: perpetual
Copy protection: Online activation
Simultaneous activations: 2
Windows: from 10 (64-Bit)
Mac OS (64 Bit): from 11
CPU min.: AMD Ryzen, Apple Silicon, Intel Core i5 ab 5. Generation (Unterstützung AVX2 Instruction set)
RAM min. (GB): 8
min Space on HD (GB): 3 GB
Display: 1366 x 768
Additional System requirements: Internet Connection for Installation and Activation, ASIO-comp. Audiointerface (Windows)
Available sinceOctober 2024
Item number603471
Sales Unit1 piece(s)
Show variations of this product
4
Ableton Live 12 Suite UPG Standard 12
Ableton Live 12 Suite UPG Standard 12
Audio MIDI sequencer (DAW) (Download)
Upgrade version - requires a registered Able...
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Unexpectedly, I found myself using Ableton Live. Not that I cared that it's the most popular DAW, not to mention that I'm trying to stay away from loop-based productions, and I'm not a live performer.
But.
Currently, Ableton Live is the only option in the market that doesn't make significant compromises either in pricing model, features, UI, or stability.
Yes, Cubase is the most complete DAW, but its atrocious UI (especially on Mac, where you don't even have UI scaling) diminishes everything good in it. Other DAWs are already on a subscription model, or actively pushing you into it. Some are not on a subscription per se, but on something suspiciously similar. Others just don't have enough in them to justify their usage.
So after eliminating all those DAWs I found myself inside Ableton Live. Permanent license? Check. Features that really helpful and work as intended? Check. Clear and eyes friendly UI? Double check! Only a few crashes during almost half a year of usage? Check.
As for this upgrade particularly, I didn't plan to make it. The standard version is fine enough by itself. But having a coding as one of my hobbies, I was very intrigued by Max for Live, so it pushed me into this upgrade. And considering the sale price, it was no-brainer.
So in the end, highly recommended product!
Unexpectedly, I found myself using Ableton Live. Not that I cared that it's the most popular DAW, not to mention that I'm trying to stay away from loop-based productions, and I'm not a live performer.
But.
Currently, Ableton Live is the only option in the market that doesn't make significant compromises either in pricing model, features, UI, or
Unexpectedly, I found myself using Ableton Live. Not that I cared that it's the most popular DAW, not to mention that I'm trying to stay away from loop-based productions, and I'm not a live performer.
But.
Currently, Ableton Live is the only option in the market that doesn't make significant compromises either in pricing model, features, UI, or stability.
Yes, Cubase is the most complete DAW, but its atrocious UI (especially on Mac, where you don't even have UI scaling) diminishes everything good in it. Other DAWs are already on a subscription model, or actively pushing you into it. Some are not on a subscription per se, but on something suspiciously similar. Others just don't have enough in them to justify their usage.
So after eliminating all those DAWs I found myself inside Ableton Live. Permanent license? Check. Features that really helpful and work as intended? Check. Clear and eyes friendly UI? Double check! Only a few crashes during almost half a year of usage? Check.
As for this upgrade particularly, I didn't plan to make it. The standard version is fine enough by itself. But having a coding as one of my hobbies, I was very intrigued by Max for Live, so it pushed me into this upgrade. And considering the sale price, it was no-brainer.
