Behringer XM8500

Dynamic vocal microphone

  • With cardioid polar pattern
  • Frequency range from 50 Hz up to 15 kHz
  • Impedance: 150 Ohm
  • XLR connector
  • Strong windscreen
  • Weight: 240 g
  • Incl. Clamp and storage box
No JavaScript? No Audio Samples! :-(

Audio Examples

 
0:00
  • Ballad Female
  • Ballad Female Dry
  • Ballad Male Dry
  • Ballad Male
  • Soul Female
  • Soul Female Dry
  • Soul Male
  • Soul Male Dry
  • Show more

Further Information

On/Off Switch No
Polar Pattern Cardioid
Color Black
Cable no

These are other customers' choices:

Customers who looked at this item have bought these:

Behringer XM8500
87% bought this exact product
Behringer XM8500
Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times
58.35 AED Add to Basket
Behringer XM1800S Set
3% bought Behringer XM1800S Set 115 AED
the t.bone MB 60 Set
1% bought the t.bone MB 60 Set 104 AED
Our most popular Microphone Bundles
990 Customer Ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.4 /5
  • features
  • sound
  • quality
Total
features
quality
sound
Very very handy and versatile mic
ruairinik, 17.06.2020
This is a really mic, with a decently clear and crisp sound for its price. Definitely something to get if you're on a budget and/or want to just noddle around with recording!

For me, I use this as something easy to hook up and sing into to record demos and ideas into pro tools at home, although with a lot of playing I've found it has uses past what you'd expect.

With good mic placement as limited movement, this can work as a very very cheap alternative to a boom mic for indoor video recording. If you're an actor looking to for something to make your self tapes a little nicer sounding - this (especially with the bundle it comes in which is around 30e I think) is a very cheap and very very useful purchase.

Only thing I don't massively love about this is the built-in pop filter has little to no function it seems. i did a comparison with the cap on and off and the difference in levels of pop/distortion caused by breath was not massively noticeable. Obviously on any dynamic mic this isn't going to be perfect but this one definitely isnt brilliant.
Helpful · Not helpful · Report
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
Total
features
quality
sound
RcRig, 08.10.2019
I remember 10 years ago when I bought my first behringer gear, it was some guitar effect pedals, the feeling was not very good, the gear was generally of poor quality in every way. And this feeling for the brand was created...

Surprisingly in recent years I got some behringer equipment that made me smile. And this mic is one of them.

First of all, for so little money we get a mic with holder and case, which doesn't always happen in much more expensive microphones.
Second, the microphone looks great, is well built, with a beautiful black finish. It's not light or heavy, it's just the right size for a hand microphone, and most importantly, it sounds great.

The XM8500 is one of the cheapest alternatives to the Shure SM58, although they look identical they are built internally with slightly different methods. The XM8500 has no transformer unlike the SM58, Impedance is different, it has more gain, which is good, and sounds relatively close with a warmer tone. I've also tried the mic on an electric guitar cab and on a drum toms and snare, both worked perfectly well.

I think this is the best low cost mic on the market.
Helpful · Not helpful · Report
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
Total
features
quality
sound
Fantastic value
05.02.2016
It's not an sm58, but is it? It definitely looks the same besides the grill, and it doesn't feel much different either.
I actually carried out listening tests with random members of the public, with dry recordings of speech of 3 microphones. This, the T.Bone MB85, and the original Shure SM58. Rather surprisingly, a larger majority of the public preferred the sound of this one.
I personally find it a tad muddy, but that can easily be gotten rid of.
I also carried out a feedback rejection test between the three microphones. An SPL meter was set up in a static location, and a mic stand was securely set in front of a Martin Audio LE1200 monitor switched into passive mode, powered by a Martin Audio 4.8Q amplifier, and the microphones were all plugged into the same channel on a Midas Pro1. This means the only variable of the test was the microphone and the gain setting.
In short, the microphone which returned the highest SPL without feeding back Won. I'm not sure if it would behave the same in a live band situation, but in this scenario, at least, the XM8500 won!
Very Impressive!
Helpful · Not helpful · Report
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
Total
features
quality
sound
A lot of low end, cool grille
wouterv, 09.03.2020
Basic dynamic mic, it doesn't need enormous amounts of gain (the sensitivity is actually -50dB re 1V / Pa and listed as -70dB which is relative to dyn/sq.cm). The sound is a lot darker than the T.bone MB60 (which is a bit cheaper). The black grille looks better than the silver basket of the MB60 though.
Helpful · Not helpful · Report
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
58.35 AED 13.45 €
Plus 215 AED shipping

Since we ship from Germany, additional costs through taxes and customs may be incurred

The price in AED is a guideline price only!

Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times
Share This Product
Your Contacts
Phone: +49-9546-9223-35
FAX: +49-9546-9223-24
Phone: +49-9546-9223-30
FAX: +49-9546-922328
Online Guides
Stage Vocal Mics
Stage Vocal Mics
There are many vocal microphones that are suitable for stage use, from the cheapest dynamic to the most expensive condenser.
Online Guides
Dynamic Microphones
Dynamic Microphones
Dynamic microphones are the basic tools of live sound and play an important role in every recording studio.
Online Guides
Recording  Choirs
Recording Choirs
Recording choir music is always a challenge, even though it might not seem to be at first.
 
 
 
 
 
 
 
 
 
 
Downloads
 
 
 
 
 
test results:
Offers include VAT and are valid as long as stocks last. We do not accept liability for typographical errors or inaccurate information of any kind. *RRP = manufacturer's / distributor's recommended retail price in Germany
(3)
Recently Viewed
Behringer 140 Dual Envelope/LFO

Behringer 140 Dual Envelope/LFO; Eurorack module; two independent analog ADSR envelope generators; for each envelope: manual trigger button, Gate input, sliders for Attack, Decay, Sustain and Release, 2 signal outputs and inverted output; analog LFO with 5 waveforms; sliders for...

Recently Viewed
Novation Launchkey 49 MK3

USB MIDI kKeyboard 49 Velocity sensitive keys, 16 RGB illuminated velocity sensitive pads, Scale and chord mode, Arpeggiator, Capture MIDI function, MIDI mappings, Device lock, Pitch bend and modulation wheel, 2 x 16 Character display, 8 Controls, Keys for...

Recently Viewed
Stairville LED Vintage Bowl 50 RGBA

Stairville LED Vintage Bowl 50 RGBA DMX, 60 W LED, 50 cm; decoration element for stages, clubs and events; stable metal construction; illuminated reflector with unique look; technical data: Light source: 60 Watt RGBA 4in1 LED; Control: DMX (4/6/8 channels),...

(1)
Recently Viewed
Harley Benton Dullahan-FT 24 BKS

Headless Electric Guitar Ergonomically shaped alto body, Maple neck, Bolt-on neck attachment, Maple fretboard, Black offset dots fretboard inlays, Modern C neck profile, Fretboard radius: 350 mm (13.78"), Scale: 648 mm (25.51"), Nut width: 42 mm (1.65"), Graph Tech...

(1)
Recently Viewed
Electro Harmonix Oceans 12 Reverb

Electro Harmonix Oceans 12 Reverb; Effects Pedal for Electric Guitar & Bass; Based on the Oceans 11 with even more reverbs and functionality; two simultaneous, independent, stereo reverb engines; 24 Presets and advanced I/O allowing for stereo in/out or mono...

Recently Viewed
Midas Compressor Limiter 522 V2

Midas Compressor Limiter 522; 500 Series Modular Compressor/Limiter; rotary knobs for Treshold, Ratio, Attack, Release, Gain and Dynamic Presence; HP Sidechain Filter (200 Hz); LED Meter for Gain Reduction and Output Level; Designed and engineered in the U.K.

Recently Viewed
TC-Helicon Go Twin

2-Channel audio / MIDI interface for mobile devices Integrated microphone preamplifier, Phantom power: +48 V, 2 Microphone / line / instrument inputs: combo XLR / jack 6.3 mm, 2 Line outputs: 6.3 mm jack balanced, Stereo headphone output, 2...

(2)
Recently Viewed
Behringer 112 Dual VCO

Behringer 112 Dual VCO; Eurorack module; two identical analog VCOs in one module; selectable waveforms: triangle, sawtooth and squarewave/pulse; adjustable pulsewidth and PWM CV input with attenuator; octave-switch and fine-tune control knob; hard and soft sync; 3 pitch CV inputs...

Recently Viewed
Novation Launchkey 37 MK3

USB MIDI Keyboard 37 Velocity sensitive keys, 16 RGB illuminated velocity sensitive pads, Scale and chord mode, Arpeggiator, Capture MIDI function, MIDI mappings, Device lock, Pitch bend and modulation wheel, 2 x 16 Character display, 8 Controllers, Keys for...

(1)
Recently Viewed
Harley Benton Dullahan-AT 24 TBK

Headless Electric Guitar Ergonomically shaped alto body, Maple neck, Bolt-on neck attachment, Maple fretboard, Black offset dots fretboard inlays, Modern C neck profile, Fretboard radius: 350 mm (13.78"), Scale: 648 mm (25.51"), Nut width: 42 mm (1.65"), Graph Tech...

Recently Viewed
Darkglass Element Cabsim/Headph. Amp

Darkglass Element Cabsim/Headphone Amp; Effects Pedal for Electric Guitar & Bass; practical practice tool; intuitive operation using three fully-tactile slider potentiometers with positioning LED's; 5 cabinet simulations; Aux In & Bluetooth to listen to back in tracks while playing, rehearsing,...

(1)
Recently Viewed
IK Multimedia AXE I/O Solo

USB2.0 Audio Interface Specially designed for guitarists, Hi-Z instrument input on the front with Z-tone (variable impedance), JFET circuit for subtle harmonic additions and active circuit for optimal operation with active pickups, Input for line and microphone signals with...

Give Feedback
Feedback Found an error or want to give us feedback about this page?

We're looking forward to hearing from you and aim to solve any problems as soon as we can.