IK Multimedia iLoud MTM

This is killer stuff. IKM made something truly valuable.

I came to a thought of buying MTMs right after my 7 inch Tannoys went to hell. I mean literally burned out. Bad electrical grid to be blamed. I also owned 5 inch JBL's even before that.

To be honest my initial thought was to buy some decent passive hi-fi speakers and external amp for them. That's more serious stuff that many pro producers advice to use. So I was browsing Youtube looking for some comparison tests. And I found out that MTMs which I've being ignoring for quite a long time because of their size and price have some unique and undeniable advantages.

Virtual tests can't be a ground for decision making but they helped me notice a solution for a problem I faced many times. The problem I'm talking about is translatability of your mixes.

Like a guitar cab, studio monitors are literally a box that contains speakers. And you know what? That box colors sound so much... I was shocked. I admit that other much more expensive studio monitors were constructed so well that resonances that their bodies reproduce are totally suitable but that's inapplicable to entry-level Focals, Adams, etc.

Thanks to an advanced and effective shape of MTM's body and their DSP side they are able to really give you a possibility to hear mixes as they are.

The downside of this approach is lack of volume and "feel". You are able to hear everything from 35HZ and higher legibly but your bass drum hardly may hit you right in the chest.

To sum it up MTM is best possible option for most music producers. If iLouds are out of your budget you may without a doubt save some money on buying audio interface, mics, soft and even (don't hit me) acoustic treatment. The calibration technology is perfect. 1 minute to spend and they sound absolutely precisely, accurately and beautifully if room you're working in is any better than an absolutely empty metal barrel.

Also I would like to highlight how good MTMs are in creating phantom center feeling. You may see VOXs, bass drums, snare and bass as if in the palm of your hand.

I just have to thank fate for what she did to my Tannoys. Which are totally fine products in their price range.

I work in radio and post production for more than 20 years. I spent my last years on Yamaha‘s HS7 and Genelec’s 8030s. My studio is acoustically treated and everything is well calculated but you cannot defeat the room. The size of the space is something you have to accommodate to.

All the work I have done on the Genelecs perfectly well on broadcast and also on stage. The only two aspects that kept bothering me where the clarity of the stereo imaging and the lack of low end. I could have got myself a subwoofer but that would not solve the room problems. I also took into consideration Sonarworks, but it is out of discussion since it uses almost 20% of the CPU resources of a strong Mac 24/7. So my only solution for the small studio was to find some speakers with room tuning built in. Before going the extra mile with Genelec and Neumann, I decided after reading a lot of reviews and watching a lot of videos to order the MTMs.

Installing was easy and fast since they went on the same microphone stands. First they sounded a little bit bassy, but after calibration the meds the highs and the details came to life and the low frequencies got tailored tailored. I want to mention that all the settings were at the beginning and are now on flat with 40Zh. The low end is absolutely amazing, you will have just enough bass to understand and be able to control everything properly. So in this regard they are the best choice over all other speakers with 5, 6, or 6,5 inch woofers. The tweeters are mild and silky and the highs will never give you your fatigue after long sessions of work or listening to different genres of music. Also after calibration the stereo imaging is absolutely fantastic. I also connected the USB B cable that came with my Pioneer DJ console and managed to update de firmware on both units to the latest 1.2.1.

My honest opinion is that these speakers are totally underrated on the market. At the moment I can say that they are fantastic value for the money and if you do the calibration and place them correctly in your treated room you will have tremendous results!

PS: After sending some pictures with my new speakers to my friends, they asked me what model of Genelers are they 🙈

I gave my stars 5 for features, 4 for sound and 5 for quality.

BASS RESPONSE

The 40, 50, 60 Hz bass expansion (or contraction) feature on the back of the product is quite nice. For those who want to get a very low bass response, the 40 Hz transition will be effective. I've tried the product a lot in acoustically corrected or uncorrected areas. It can easily respond to keys such as D, D# or E (37-41 Hz).

MIDS AND HIGHS

This was my favorite part about MTM. The frequency response is very flat and clear. Its ability to print mid and high frequencies and also to transfer the differences between instruments is very advanced for its size. Especially, if you are within the range of 30-60 cm from the monitors, you can perceive sounds very easily and you can edit in the mix.

NEW 80 Hz CUT FEATURE

iLoud MTM is in a structure that can receive firmware updates. They added the 80 Hz option to the 40, 50, 60 Hz low cut line. In this way, the device eliminates its own sub area and offers a nice opportunity for a possible subwoofer.

BUILT-IN CORRECTION

Working with a system similar to ARC3, a room correction software from IK Multimedia, iLoud MTM has its own fast correction system. The monitor calibration process, which consists of 7x3 stages with ARC3, takes only 10 seconds in MTM's own system. Personally, I found the option named FLAT (without adjustment) more suited to my own way of working than iLoud's own calibration.

LISTENING DISTANCE

It would be better if you are close to MTM. I have tasted it many times that it is very effective between 30-60 cm. If you can put the device on a stand, you will not feel the low vibrations it creates and you will not be mistaken.

BASS REFLEX PORT NOISE

As you turn up the volume, you can literally hear the bass ports blowing air very quickly and there is serious friction in the small mouth port. In addition, iLoud starts to produce distortion before it can reach high volumes and its small lamp, which is always white, turns red. It can be effective in small rooms.

DISPERSION

It can be used vertically and horizontally. Although IK Multimedia was designed to (primarily) stand upright, they said using it vertically would enlarge the sweet spot area. The dispersion narrows in horizontal use.

CONCLUSION

I think it is a very nice product. It can be used in many areas, in the construction of many musical genres, depending on the area and purpose of use.

First of all, thumbs up for the Thomann team, they did a great Job sending me this bad boys fast and save.
These speakers are awesome. And that opinion comes from someone who worked on a wide range of systems and different speakers ( Yamaha, Genelec, Focal, Krk, Adam, ...) as I also work around different studios. Mtm's can easily compete with any of the big boys and then some. My Hs7 sound like a joke next to these. Great sound, plenty of Bass and options on the back will make you wanna work with these speakers. Calibration is a cherry on the top and it's done in a 10 seconds. It works great and it really helps you if you lack of proper acoustic treatment. Ear fatigue is a thing of a past also. I'm very happy with these speakers, I admit, I was careful at the begining as I red some posts about the "issues" some users had, mostley with the calibration, but everthing was ok as soon as I got my pair of speakers so I guess the "issues" were probably there because of the users and not the products. I would recomend this speakers to pretty much every one. Five stars all the way.

A quest for a very portable speaker system without having to compromise led me to this. A friend of mine was raving about the iLoud's and frankly I was sceptical.
I am travelling quite a bit and can not be depending on a bulky system.
After a long search I ended up getting a pair via Thomann.
My first impression after turning this up for the first time was Bombaclaat!!! ( Jamaican slang for... It's sometimes a bad word but in this situation it was good /bad)
My first impression was:
Amazing!!! straight off the box without any tuning or adjustment.
I could not ask for a better travelling set up honestly!
Now I feel like testing the big brothers ( precision) for my sedentary set up.

Awesome monitors if you need good sound in not treated room.
Fast calibration awesome mids, awesome stereo.
Really quiet (Clipping on medium volumes). Rear ports makes noise. You WILL HEAR IT.
Low Cuts
40Hz- you can't use it. Literally every second track will produce rear ports noise. It sounds like a list of paper wobbling. NO USE IN MIXING
50Hz- usable but every 10-th song produce rear ports noise.
60Hz- no problems but no base.
By the way, if you don't mix or don't listen to bass heavy music, I don't think you will hear any rear port noise. But for most genres you will notice it.

For mixing stereo and mids it is awesome tool. If you want to control bases you need additional speakers or headphones for 20-80 Hz. Or Sub. With update MTM have 80 Hz cut. So you can use Subwoofer to compensate this spectre.

I have read mixed reviews of these small beasts, some of them claiming they're not loud enough, or easily sent into clipping.
I usually use 'Protection' by Massive attack to check if the bass is clipping: there's no way to clip these guys before reaching a volume that's really too much for near field monitoring! These speakers are LOUD! and the bass is quite well defined, way better than from speaker bigger in price and size!!
Stereo image is beautiful, and calibration is effective.. Still gotta try Sonarworks, to compare the two calibration settings..
But for near field monitoring, I'm definitely overwhelmed.