Shure Nexadyne 2

Start 360°

Dynamic Kick Drum Microphone

Polar pattern: Supercardioid
Frequency range: 20 Hz - 16,000 Hz
Sensitivity: -66.0 dBV/Pa / 0.5 mV/Pa
Shure Revonic dual-engine transducer technology
XLR 3-pin connection
Weight: 535 g
Colour: Black
Includes a transport bag and 5/8" to 3/8" adapter

30-Day Money-Back Guarantee

3-Year Thomann Warranty

Available since February 2025
Item number 610025
Sales Unit 1 piece(s)
Condenser Microphone No
Polar Pattern Supercardioid

959 AED 226,05 €

The price in AED is a guideline price only

Since we ship from Germany, additional costs through taxes and customs may be incurred

Sales Rank

in Microphones for Bass Drum

Two transducers for superior sound

The Shure Nexadyne 2 is a dynamic microphone with a supercardioid pickup pattern, specifically engineered for capturing kick drums and bass instruments. Its innovative Revonic Dual‑Engine transducer technology employs two precisely matched capsules working in tandem to deliver a detailed and powerful sound. Unwanted noise is effectively minimised, while still preserving each instrument's natural sonic character. This reduces the need for additional signal processing and ensures authentic, articulate performance both in the studio and in live environments.

Precise and powerful bass

The Shure Nexadyne 2 is optimised for the precise, punchy reproduction of low frequencies. With an extended frequency range of 20Hz to 16kHz and a sensitivity of 0.56 mV/Pa, it captures every low‑end detail and delivers clear, powerful bass response, without losing the crisp high‑end that characterises drums in particular, or the rich harmonics of low-frequency stringed instruments. Shure's Revonic Dual‑Engine transducer technology and consistent supercardioid pattern minimise unwanted ambient noise. As a result, the Nexadyne 2 makes it easier to mike up these sometimes challenging instruments. The compact, rugged capsule housing also provides durability and a discreet on‑stage profile.

Grille and capsule on the Shure Nexadyne 2 bass drum microphone

The expert's mic

For live and studio engineers – or the musicians themselves – looking for a mic capable of capturing the solid, focused energy of any low-frequency instruments, the Shure Nexadyne 2 represents the ideal solution. It delivers a natural, nuanced reproduction while reducing unwanted noise, ensuring the mix sounds balanced from the outset – a kick drum's attack and decay, for instance, are translated in great detail. The Nexadyne 2 is particularly effective in live settings thanks to its reliable output and robust construction, while offering the same level of precision in the studio.

XLR socket on the Shure Nexadyne 2 bass drum microphone

About Shure

The American company Shure began developing microphones during the early 1930s and is one of the pioneers of the audio engineering sector. Models such as the 55 Unidyne – known to many as the "Elvis microphone" – and the SM57 and SM58 which appeared in the mid-1960s are still ubiquitous in live sound production today. They enjoy cult status among musicians and technicians alike. In the 1990s, Shure introduced the first wireless microphones and in-ear monitoring systems and became a market leader in this field. In addition to microphones, Shure offers a wide range of earphones and headphones for studio and live use, as well as various accessories.

From the stage to the studio

Whether on large festival stages, in clubs, or in the studio, the Shure Nexadyne 2 delivers punchy, clearly defined bass reproduction when paired with a high‑quality preamp. The mic's integrated swivel mount enables precise positioning to capture each source's optimal sweet spot. In live setups, it's particularly well suited to close‑miked drum kits, or hybrid ensembles combining acoustic and electronic elements. In the studio, it provides consistent recording quality, whether for clean, modern productions or for producers aiming for a warmer, vintage sound. The Nexadyne 2 is also a reliable choice for recording bass amps or large percussion instruments.

In the spotlight

Revonic Dual‑Engine transducer technology

Shure's Revonic Dual‑Engine transducer technology combines two precisely matched components that work together to deliver optimised sound reproduction. Whereas conventional microphones often rely on a single capsule, the Dual‑Engine approach enables a more targeted processing of acoustic signals, while effectively minimising mechanical interference and handling noise. The two transducers are configured in parellel at source to ensure an exact match, resulting in a natural, consistent sound that reduces the need for subsequent signal processing – particularly in live environments.

This is what customers who viewed this product bought

7 Customer ratings

5 5 Customers 4 1 Customer 3 0 Customers 2 0 Customers 1 1 Customer

4.3 / 5

features

sound

quality

Review guidelines

5 Reviews

Faulty

Davey L 03.07.2025

This microphone disappointed me. There was clearly a manufacturing fault and it sounded thin & harsh. I had to return it to THOMANN and wait 6 weeks for its return after its service. I used it lightly & carefully so this was undoubtedly a manufacturing fault. I am a fan of Shure equipment but this microphone has been a disappointment.

Report

Do you believe this rating to be inaccurate or unacceptable for some reason? Please give us the reason for your assessment in the following text box and – if possible – your e-mail address for further questions.

Show translation

Show original

Unfortunately there was an error. Please try again later.

Okay!

DerRic 11.07.2025

Ich habe mir die Empfehlungen anderer angeschaut, Kritiken gelesen, die Werbevideos gesehen und gehofft, dass ich mit diesem "Game Changer" die Grenzfläche sparen kann, da ja sowohl der Anschlag- als auch der Kesselsound sauber und kräftig übertragen wird.

Livegig, annehmbare Anlage, genug Soundcheckzeit: Das Mic klingt okay! Okay, für ne Bassdrum im Rock-/Popbereich, die treiben soll und einen durchsetzungsfähigen Sound mitbringt. Die Werbebotschaft, das kaum oder so gut wie kein EQ notwendig ist, ist eben eine Werbebotschaft, nicht mehr. Vielleicht muss man ein ganz klein wenig weniger Kesseldröhnen rausnehmen.

Mein Resultat: Das Mic ist okay aber kein Game Changer. Für einen richtig guten Sound werde ich weiterhin die Grenzfläche in die Kick werfen und ich denke, hätte ich mein Beta 52A benutzt, währe der Unterschied nicht wirklich hörbar gewesen.

Report

Show translation

Show original

Unfortunately there was an error. Please try again later.

Shure Nexadyne 2

Maňa 26.08.2025

Vyšší řada, než jsem měl doposud a jsem nadmíru spokojený.

Report

Show translation

Show original

Unfortunately there was an error. Please try again later.

Bassdrum wird voll und differenziert widergegeben

Chrille B. 11.04.2025

Bislang verwendeten wir für die Abnahme der Bassdrum (innen, Rock) ein Audix C4. Im Mixing habe ich es nicht hinbekommen, die Bassdrum differenziert und druckvoll herauszuarbeiten. Daher habe ich mich nach einer Alternative umgesehen.
Das neue Shure Nexadyne 2 macht da einen hervorragenden Job. Druckvoll und kräftig wird die Kick abgebildet und ich kann sie im Mix gut herausarbeiten. Das Mic hat bei uns seinen Platz gefunden.
Das Audix C4 nehme ich jetzt für die Snare (Bottom).

Einziger Kritikpunkt: Das Mikro lässt sich nur als ganzes aufs Stativ schrauben. Du drehst also nicht nur die Klemme, sondern das ganze Teil. Da es auch ein wenig wiegt und aufgrund der Form zum Eiern neigt, ist das nicht so schön. Für den Gig muss man dann also immer ein bisschen fummeln...

Report

Read all reviews

Shure Nexadyne 2

Dynamic Kick Drum Microphone