Shure PGA98H-TQG
Condenser Clip On Microphone
- PG Alta series
- With gooseneck
- Especially for wind instruments and percussion
- Polar pattern: cardioid
- Frequency range: 60 - 20,000 Hz
- Output impedance: 850 Ohm
- Max. SPL: 130 dB, THD 1%
- 4 Pin TQG plug
- For use with Shure wireless systems
- Colour: black
- Weight: 210 g
- Incl. wind shield and bag with zipper
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Available since March 2015
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Item number 360117
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Sales Unit 1 piece(s)
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Clip-On Microphone Yes
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Condenser Microphone Yes
A mighty flexible wireless mic
The Shure PGA98H-TQG is a cardioid electret condenser microphone designed specifically for wind instruments – brass and woodwinds – combining a flexible gooseneck, an integrated horn clamp, and a TA4F (TQG) connector for direct use with compatible Shure wireless bodypack transmitters. The tailored cartridge handles the high sound pressure levels typical of brass instruments, with a maximum SPL of 130dB and a frequency response extending from 60Hz to 20kHz. The cardioid polar pattern focuses pickup on the instrument while rejecting ambient stage noise and bleed from adjacent sources. The black metal finish and low-profile design keep visual presence to a minimum – relevant for broadcast and theatre contexts where microphone visibility matters. A foam windscreen and zipper pouch are included. The PGA98H-XLR version is available separately for wired operation via a standard XLR connection.
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A well-constructed condenser
The PGA98H-TQG connects directly to compatible Shure wireless bodypack transmitters via its TA4F (TQG) connector, with operating power supplied by the transmitter itself. Unlike the XLR version, no inline preamplifier or phantom power is required, resulting in a lighter cable arrangement that's particularly well suited to performers who move freely on stage. The cast zinc housing is built to withstand the physical demands of live use; the gooseneck retains its position once adjusted without creeping back, and the integrated horn clamp attaches directly to the bell of a brass or woodwind instrument without tools. Sensitivity is rated at -52dBV/Pa (2.51mV), providing an appropriate output level for wireless bodypack operation, while the 27dB SPL-A self-noise figure remains well suited to the high sound-pressure environments for which the microphone is intended.
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Bold as brass
The Shure PGA98H-TQG is aimed at horn and woodwind players who need a reliable, unobtrusive clip-on solution for live performance. The horn clamp attaches securely to the bell or flare of an instrument – ideal for saxophones, trumpets, trombones, and other such brass and woodwind instruments. The flexible gooseneck allows the capsule to be positioned precisely for consistent sound capture. The lightweight cable and bodypack connection provide complete freedom of movement while maintaining consistent microphone placement. The PGA98H-TQG is optimised for live sound – the noise floor and sensitivity figures are well matched to stage SPL levels, though engineers considering close-miked studio work on quieter instruments may prefer a higher-specification condenser from Shure's professional condenser range. For fixed installations or conventional wired setups, the PGA98H-XLR offers the same capsule with a standard XLR connection.
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About Shure
The American company Shure began developing microphones during the early 1930s and is one of the pioneers of the audio engineering sector. Models such as the 55 Unidyne – known to many as the "Elvis microphone" – and the SM57 and SM58 which appeared in the mid-1960s are still ubiquitous in live sound production today. They enjoy cult status among musicians and technicians alike. In the 1990s, Shure introduced the first wireless microphones and in-ear monitoring systems and became a market leader in this field. In addition to microphones, Shure offers a wide range of earphones and headphones for studio and live use, as well as various accessories.
Perfect placement in practice
Designed for wireless performance, the Shure PGA98H-TQG handles the typical volume levels of brass and woodwind instruments without distortion – with ample headroom even for a trumpet bell at close range – while the cardioid pattern provides useful rejection of drums, amplifiers, and any other stage sources that might be positioned off-axis. The flexible gooseneck allows the capsule to be positioned precisely to suit both the instrument and the desired tonal character: Positioning the capsule closer to the bell emphasises projection and brightness, while moving it slightly further back produces a more balanced, open character that retains subtle articulations. The microphone can be repositioned quickly without unclipping the mount from the instrument. The foam windscreen the PGA98H comes with reduces breath noise and outdoor wind interference while preserving the high-frequency response. A zipper pouch is also included to protect the assembly during transport between gigs.
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