Step into the spotlight with the Tone City TPS‑06, a compact multi‑power supply for effects pedals that delivers reliable, noise‑free power in a deceptively small footprint. Outfitted with six fully isolated outputs, two of which can be switched (9/12V and 9/18V, respectively), the TPS‑06 can feed classic stompboxes just as effortlessly as power‑hungry digital units. One special highlight is its high‑grade filtering setup, which uses two‑stage signal cleaning and automatic voltage compensation to keep interference to an absolute minimum. Added to that are individual status LEDs and dual short‑circuit protection – plus it ships with not only its own power adapter, but a DC cable for every output, too. For all these reasons and more, the TPS‑06 is an ideal pedalboard solution for space‑conscious guitarists and bassists who aren't willing to skimp on reliability, durability, and quality.
The Tone City TPS‑06 is a fully isolated multi‑power supply, capable of delivering clean DC power to up to six pedals at once. One of its six 9V DC outputs delivers a massive 500mA – in addition to which two of the five 200mA outputs can be switched between 9V and either 12V or 18V. Tone City's automatic voltage compensation reliably smooths out any internal fluctuations, with the dual short‑circuit protection system keeping things safe. And the outputs' galvanic isolation makes ground loops or interference between pedals virtually impossible – a godsend for sensitive analogue effects. It's easy to use, too: Plug in the adapter, hook up the pedals with the cables included, and the whole board's good to go. Individual status LEDs on each output provide instant confirmation that every device is being powered correctly. Thanks to its compact build – it's about the same size as a compact pedal itself – the TPS‑06 is a great fit for standard boards, or as an additional supply in very large setups.
The Tone City TPS‑06 is aimed primarily at guitarists with small to medium‑sized pedalboards who want clean, isolated power – which it delivers in spades, despite the unit's compact dimensions. It's a great solution for musicians who run a mix of standard and power‑hungry effects – for example, analogue overdrives paired with digital reverbs or multi‑effects units. Small home‑recording setups also stand to benefit from its stable output and low‑noise operation. The voltage‑switching on two of the outputs further broadens its range of applications, such as for boosts or delay pedals that require 12 or 18 volts. It's worth pointing out that anyone wanting to feed lots of digital pedals at once would be better served by a larger model: For mobile musicians, minimalists, and savvy board‑builders, however, the TPS‑06 is a perfectly capable and eminently suitable solution.
Tone City is a guitar effects manufacturer that is based in China and specialises in manufacturing pedals that are compact and affordable but do not make any compromises in terms of sound or build quality. The company quickly gained a good reputation, particularly among guitarists looking for the sound of boutique gear in a space-saving format. Tone City creates modern interpretations of classic circuits, which are served up in intuitive, user-friendly pedals with a sturdy metal construction. The company’s pedals are renowned for their organic tonal characteristics and impressive dynamics, and they are ideal for pedalboard-based setups thanks to their sophisticated circuit board layouts and true-bypass switching. With an ever-expanding product range that includes everything from overdrives and modulation effects through to delays, Tone City offers musicians a viable alternative to expensive boutique pedals.
The Tone City TPS‑06 lends itself to a wide range of uses in the studio, on stage, or in the rehearsal room. On pedalboards with limited space, it keeps power neatly organised and interference‑free without making the setup harder to manage. One particularly handy feature is the pair of switchable outputs, which allow voltage‑sensitive specialist pedals – such as reverbs, delays, or boosters – to run at 12V or 18V. In fly‑rigs or backup boards, its low weight really comes into its own, while the isolated outputs keep the signal path quiet even when digital devices are running in parallel. It also works as a discreet but effective addition to desktop or home‑recording setups. For players who want a stable, low‑noise, and flexible power solution for their effects, this multi‑supply offers a compact yet versatile solution for a wide variety of applications.