The Shure Nexadyne 5 is a dynamic microphone with a supercardioid pickup pattern, specifically engineered for capturing guitar amplifiers. Its innovative Revonic Dual‑Engine transducer technology employs two precisely matched capsules working in tandem to deliver a detailed and powerful sound. Unwanted off-axis noise is effectively minimised, while still preserving the natural sonic character of both guitar and amp. This reduces the need for additional signal processing and ensures authentic, articulate performance both in the studio and in live environments.
The Shure Nexadyne 5 is optimised to capture all the nuances the unique combination of electric guitar and amp can produce, with high-end presence, defined mids, and a very natural overall sound. Its frequency range of 50Hz to 16kHz, combined with a sensitivity of 0.9 mV/Pa, gives it the tools to pick up both clean, singing lead sounds and heavily distorted fuzz – and everything in between. Shure's Revonic Dual‑Engine transducer technology and the mic's consistent supercardioid pattern minimise mechanical noise, unwantend resonance and distortion, and ambient spill. The compact, rugged capsule housing also provides durability and a discreet on‑stage profile.
For live and studio engineers (or the musicians themselves!) looking for a mic capable of capturing the intense, dynamic energy of an electric guitar played through an amplifier, the Shure Nexadyne 5 represents the ideal solution. It delivers a natural, nuanced reproduction while reducing unwanted noise, ensuring the mix sounds balanced from the outset – translating in great detail both a guitarist's individual picking style and the amp's gain structure, for instance. The Nexadyne 5 is particularly effective in live settings thanks to its reliable output and robust construction, while offering the same level of precision in the studio.
The American company Shure began developing microphones during the early 1930s and is one of the pioneers of the audio engineering sector. Models such as the 55 Unidyne – known to many as the "Elvis microphone" – and the SM57 and SM58 which appeared in the mid-1960s are still ubiquitous in live sound production today. They enjoy cult status among musicians and technicians alike. In the 1990s, Shure introduced the first wireless microphones and in-ear monitoring systems and became a market leader in this field. In addition to microphones, Shure offers a wide range of earphones and headphones for studio and live use, as well as various accessories.
Whether on large festival stages, in clubs, or in the studio, the Shure Nexadyne 5 delivers the punch, cut, and bite of an amp that's been dialed in to support a certain guitar or genre of music. The mic's integrated swivel mount enables precise positioning to capture the source's optimal sweet spot. In live setups, all that's needed is a pre-amp of similar quality to produce the ideal Rock or Metal sound for the stage, with little need for further EQ. In the studio, it provides consistent recording quality, whether for clean, modern productions or for producers aiming for a warmer, vintage sound. Paired with a second mic, the Nexadyne 5 can also be used in some really creative ways to create professional stereo soundscapes in the studio.
Revonic Dual‑Engine transducer technology
Shure's Revonic Dual‑Engine transducer technology combines two precisely matched components that work together to deliver optimised sound reproduction. Whereas conventional microphones often rely on a single capsule, the Dual‑Engine approach enables a more targeted processing of acoustic signals, while effectively minimising mechanical interference and handling noise. The two transducers are configured in parellel at source to ensure an exact match, resulting in a natural, consistent sound that reduces the need for subsequent signal processing – particularly in live environments.